"Homophobia: The fear that another man will treat you like you treat women." ~ (unattributed)
Catalogue No. WAXCD 7110
Label: Wax Trax
My heart did a little leap when I saw this.
The short answer: Mary Sue is the author’s idealized self-insert. (If you want to know alllll about Mary Sue, including the history and origins of the term, TV Tropes has your back. Also, if you aren’t careful, your mind and soul. Pack a lunch.) A Mary Sue story is one that primarily features a Mary Sue.
The slightly longer answer: That story you used to tell yourself, about the awesome girl who was totally pretty and everyone liked her and she maybe had magic powers and also like fifteen skills that you wished you did and also her hair never did that, you know, THAT THING your hair always does? And she was in your favorite fictional (or real person fictional) world, and all the characters or people that you loved the most loved her, and she married them or solved their problems or saved them or made them awesome food or held them when they cried? That story was a Mary Sue story, and that girl was a Mary Sue. Sometimes people write those stories down and post them. (AND THAT IS FINE.) Often the stories have limited appeal beyond the author and maybe her friends. (BUT THAT IS ALSO FINE.)
The “Sorry, you kind of touched a nerve” answer: While we can all identify our own Mary Sues, even if we’ve never written them down, people tend to spend a lot of time figuring out if other people have maybe written a Mary Sue, and checking every female character for potential Mary Sueism. In fandom times of old, the letters “OC” (original character) in a story header were a giant flag that meant Potential Bad Story Here, and the letters “OFC” (original female character) were translated as Guaranteed Bad Story Here. So people mostly stopped putting original female characters in their fan fiction.
But that couldn’t stop the inexorable progression of the Mary Sue Hunt. Canon female characters in fan fiction became the focus of intense scrutiny. Is this character being, perhaps, idealized? Is she better than she should be?
It was surprising how often she was better than she should be.
I mean, it’s one thing if we write John Sheppard being brilliant and solving a Millennium Problem while being extra super badass and a sharpshooter and extremely hot and having a troubled past and also he can play the piano and small children love him and he rides a horse. It’s one thing if we write Stiles as a badass motherfucker who can hack and do MMA and make small explosive devices and he saves everyone, and also it turns out he’s a surprisingly sexually skilled virgin, and also there’s this scene where he wears skintight leather and he has two boot knives. It is fine to write those things. (AND IT IS.) You could give Sheppard’s horse a telepathic soulbond with him and have Stiles elected president of universe (because he is awesome), and you’d still potentially have a significant and delighted readership. (WHICH IS ALSO FINE. Who doesn’t sometimes like a President Awesome with a Psychic Horse story? Give Sidney Crosby a psychic horse and you’ve got my click.) That’s just having fun and extrapolating from the canon. (Or, in the case of the telepathic soulbonding horse, it’s a crossover. From real actual published original fiction. And people call us strange.)
But if a female character does one of those things in fan fiction, she’s declared a potential Mary Sue. It’s out of character, it’s over the top, it’s wish fulfillment (as if there’s something wrong with wish fulfillment), it’s a self-insert. And that. That is less fine with me.
And the Mary Sue Problem is not limited to fan fiction. Turns out Mary Sues are also surprisingly prevalent in the canon itself! A tiny sample of the female characters I have heard described as Mary Sues:
- Hermione Granger
- Nyota Uhura
- Natasha Romanov
- Haruno Sakura
- Rose Tyler
- Bella Swann
- Katniss Everdeen
- Buffy Summers
Basically, think of any female character who gets more than eighteen lines, from any popular canon. Someone has called her a Mary Sue. Because she’s competent, because she’s smart, because she’s talented. Because she can do stuff, or because she tries to. Because she loves someone, or because someone loves her. Because she thinks she’s interesting. Because the author thinks we should care about her.
Mary Sue, in short, has become another way of dismissing female characters. Of telling women that we can’t be awesome. Of drawing the line between people who do (dudes) and people who are done to (ladies). Yet another entry in the long list of All the Unacceptable Female Characters. Yet another way of viciously scrutinizing every woman, real or imaginary, and either finding her excessively flawed (and therefore terrible) or excessively without flaw (and therefore terrible).
And also, of course, if the author of the Mary Sue story is a fan fiction writer, we make fun of her.
Which is why my actual definition of the term Mary Sue is: it’s a phrase that is useful for describing a certain common tendency in fan fiction that, taken to an extreme, is often pretty repetitive and uninteresting (but not, let me note, actually criminal or anything). Unfortunately, it has, over time, warped into a tool for knocking down ladies who write, and also other ladies, so I’m trying to learn not to use it any more. (But that is hard. Because see above about usefulness. Almost everyone has dreamed up at least one or two of these, and it’s so nice to have a name for them!)
I love this. I never knew about the subtle criticism inherent in the term!
Alexander McQueen Pre-Fall 2013
If these aren’t inspired by Star Wars, I won’t believe you.
What I wouldn’t give for the last two looks.
John Carpenter’s Prince of Darkness is one of the most underrated horror films I’ve ever seen. It features a fuckin’ amazing score by Carpenter and longtime associate Alan Howarth and, in my opinion, one of Donald Pleasence’s finest acting performances. It recently made its debut on Blu-Ray courtesy of Shout Factory.
"I got a fan letter from a young lady. It was a suicide note.
So I called her, and I said, "Hey, this is Jimmy Doohan. Scotty, from Star Trek." I said, "I’m doing a convention in Indianapolis. I wanna see you there."
I saw her — boy, I’m telling you, I couldn’t believe what I saw. It was definitely suicide. Somebody had to help her, somehow. And obviously she wasn’t going to the right people.
I said to her, "I’m doing a convention two weeks from now in St. Louis." And two weeks from then, in somewhere else, you know? She also came to New York - she was able to afford to got to these places. That went on for two or three years, maybe eighteen times. And all I did was talk positive things to her.
And then all of the sudden — nothing. I didn’t hear anything. I had no idea what had happened to her because I never really saved her address.
Eight years later, I get a letter saying, "I do want to thank you so much for what you did for me, because I just got my Master’s degree in electronic engineering.”
That’s…to me, the best thing I’ve ever done in my life.”
This is so heartwarming.