It’s easy to say “fuck cultural identities, we’re all human” when your culture is not the one being exploited, marginalized and oppressed. It’s easy to say “fuck borders” when your country is the one who puts up the borders. And it is really fucking easy to say “we all bleed red” when it’s not bodies of your people riddled with bullets because Western capitalism has a price. 
Them:  I don't think kids should be exposed to gay relationships.
You:  Why not?
Them:  It's introducing children to sexuality! They're too young for that!
You:  So when a prince and princess kiss in a Disney movie, are they introduced to sexuality? When the prince and the princess get married and have a child, is that introducing your child to sexuality?
Them:  NO! But if they see a man and a man, or a woman and a woman together... they're going to start asking questions! Like how a man and a man can... you know, do anything together.
You:  You think the only thing people think when they see a gay couple is "I wonder how they have sex"? Furthermore, you think a CHILD is going to even know what that means? When the prince and the princess kiss, does your 4 year old daughter ask, "mommy, how do people have intercourse"? No. She just sees two people in love. If you remember when you were a kid, you probably didn't think about sex every time you saw two people happy together.
Them:  But it'll bring up all kinds of questions, it'll confuse my child!
You:  Then be a fucking parent and explain it to your child. The only question that might be brought up is "mom, why don't you want gay people to be happy?". And when you don't have a good answer for that question, you can look your child in the eye and say "It's because I'm a bigot".

I can’t handle anything about this pic. NOTHING AT ALL. (X)


I can’t handle anything about this pic. NOTHING AT ALL. (X)

Music Review: Brian Reitzell, Hannibal Original Television Soundtrack Seasons 1 & 2
Fans of both Hannibal Lecter and Brian Reitzell will be thrilled by the recent release of nearly five hours of music from the soundtrack to what may become known as the most compelling interpretation of Thomas Harris’s iconic character, NBC’s Hannibal. With 27 tracks, one representing each episode from both seasons (and an extra track highlighting some of the music in Season 2′s killer finale), there is much to absorb here. Even those who have never seen the show, or who have perhaps avoided it because they can’t imagine anything living up to Anthony Hopkins’s cinematic portrayal, will be seduced by the exquisite sounds contained within this collection.

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